Skip to main content

Ghosted | Review

 2023. PG-13. 116 mins. Directed by Dexter Fletcher


Ghosted follows Cole (Chris Evans) as he meets Sadie (Ana de Armas) and they have a great first date. Cole instantly falls in love with her and thinks that she could be the one. After their date together he keeps texting her to try and set something else up, but she doesn't respond for days. Thinking all hope is lost and that she doesn't want to see him again he remembers that he left his inhaler, which has a tracker on it, in her purse. That gives him the incentive to track her down in London only to find out that Sadie is a secret agent and the both of them get swept up in an international adventure to save the world. 

This is the perfect example of a movie that, on paper, sounds like a good idea but is terribly executed and makes for a less than entertaining time. There is also the feeling of a studio taking two popular actors and putting them in the laziest constructed movie for a quick cash grab. No matter how you look at it, Ghosted is a huge swing and a miss. From a lazy script to choppy action sequences and two actors that have no chemistry together, there really isn't much to enjoy here.

For almost two hours, Ghosted moves rather slowly for what's supposed to be an action movie mixed with a rom-com. There is just so much wasted potential and it's a shame because of who is involved. Chris Evans and Ana de Armas both at least try to do something with the material they're given but unfortunately, it is not enough to save this from being nothing more than a waste of time. No number of random cameos that serve no purpose other than to make audiences go, "Oh hey look, it's that guy from that thing!" do anything to add any value or entertainment here either.

Ultimately, Ghosted feels like a two hour TV movie with a higher budget that still somehow looks like it was made for TV. Chris Evans and Ana de Armas are both charming in their own right but don't work well enough to make the story or their relationship engaging. Add in terrible action sequences, unfunny situations and a story line that will make you roll your eyes every ten minutes and you've got a very skippable movie.

Rating: 3/10

Comments

Popular posts from this blog

Anora (2024) | Review

  2024 | R | 139 mins | Directed by Sean Baker Plot:  A young escort from Brooklyn meets and impulsively marries the son of a Russian oligarch. Once the news reaches Russia, her fairy tale is threatened as his parents set out for New York to get the marriage annulled. Grade: A

Nosferatu (2024) | Review

  2024 | R | 133 mins | Directed by Robert Eggers In this remake of Nosferatu, Director Robert Eggers puts a new spin on a classic tale. Taking the same basic premise and adding his signature style, Eggers effortlessly brings this story to modern day and makes one of the best horror remakes in years. Set in Germany in the early 1800's, the story follows Thomas Hutter (Nicholas Hoult) and his wife Ellen (Lily-Rose Depp). Thomas is tasked with heading to Transylvania to meet with Count Orlok (Bill Skarsgard). Little does Thomas know that Count Orlok is the being that haunts his wife Ellen's dreams, and he has grown an obsession for her. Now Thomas must do whatever he can to save his wife from this powerful being. From the opening shot, this movie is beautiful to look at. Despite the color palette being mostly greys and blacks and everything looking quite bleak, it all still looks incredible. The cinematography alone is enough to make this worth seeing. This has all the ingredient...

A Complete Unknown (2024) | Review

2024 | R | 141 mins | Directed by James Mangold In 1965, Bob Dylan decided to change his act in the folk music scene by going electric and rock. A Complete Unknown follows Dylan throughout the early part of his career all the way through to this defining moment in his long career. Director James Mangold has been down this road before having directed the great Walk The Line back in 2005. While not quite reaching the same heights as some of his previous works, Mangold is able to put together an engaging biopic filled with great performances and fantastic music numbers. James Mangold has always been a competent director, and this is another solid movie to add to his filmography. Working once again with Cinematographer Phedon Papamichael, who has shot several of Mangold's previous movies, bodes well for the movie as he is able to capture the look of 1960's New York. There is some grittiness brought to the look of the movie which is much appreciated. Little things stick out througho...