Skip to main content

Head Count | Review

 2023. R. 80 mins. Directed by Ben & Jacob Burghart


Head Count follows Kat, an escaped convict who has been kidnapped by an unknown person. While being held captive Kat finds his own revolver pointed at his head. As his captor tries to pull the trigger, each empty round clicks away and sparks Kat to remember what happened to each bullet. The pressure mounts as Kat must figure out how many rounds are left and try to devise a plan to escape.

Directors Ben and Jacob Burghart have put together a tight neo-noir thriller that steps on the gas early and doesn't let up until the end. The story itself is highly engaging as we watch the character Kat try and navigate through many different situations ultimately landing himself in hot water almost every time. Josh Doke, along with the Burghart brothers, put forth a solid script that keeps you guessing and wondering what will happen next around every turn. Despite its short run time there are enough tense moments that will keep you glued to the screen.

Aaron Jakubenko, who plays Kat, turns in a great performance and really puts the movie on his shoulders. While everyone else in the cast does a good job, this is Jakubenko's movie and he carries the weight of it through his performance. Without him the movie would not be the same and is a real testament to his skills on screen. Ryan Kwanten, as an impulsive police officer, is a great actor to have play off Jakubenko for most of the movie. Their scenes together are some of the best in the movie and add so much to the dynamic of the story. Rounding out the great performances is Melanie Zanetti, who if you have kids will know her as the voice of Chili from the animated series Bluey. She plays Kat's ex-lover and while they don't have many scenes together their chemistry adds another dynamic to the movie that plays a big part in the overall arc of the story.

In the end, Head Count executes what it sets out to do in great fashion. The direction and script from the Burghart brothers make this thriller hit all the right beats to make it work more than it doesn't. While there are some moments that don't stick the landing, the tense nature of the story and the thought of what will happen next keeps you invested until the end. Performances from the cast are all great but it's Aaron Jakubenko that is the standout and what carries the movie from start to finish.

Rating: 7.5/10

Comments

Popular posts from this blog

Anora (2024) | Review

  2024 | R | 139 mins | Directed by Sean Baker Plot:  A young escort from Brooklyn meets and impulsively marries the son of a Russian oligarch. Once the news reaches Russia, her fairy tale is threatened as his parents set out for New York to get the marriage annulled. Grade: A

Nosferatu (2024) | Review

  2024 | R | 133 mins | Directed by Robert Eggers In this remake of Nosferatu, Director Robert Eggers puts a new spin on a classic tale. Taking the same basic premise and adding his signature style, Eggers effortlessly brings this story to modern day and makes one of the best horror remakes in years. Set in Germany in the early 1800's, the story follows Thomas Hutter (Nicholas Hoult) and his wife Ellen (Lily-Rose Depp). Thomas is tasked with heading to Transylvania to meet with Count Orlok (Bill Skarsgard). Little does Thomas know that Count Orlok is the being that haunts his wife Ellen's dreams, and he has grown an obsession for her. Now Thomas must do whatever he can to save his wife from this powerful being. From the opening shot, this movie is beautiful to look at. Despite the color palette being mostly greys and blacks and everything looking quite bleak, it all still looks incredible. The cinematography alone is enough to make this worth seeing. This has all the ingredient...

A Complete Unknown (2024) | Review

2024 | R | 141 mins | Directed by James Mangold In 1965, Bob Dylan decided to change his act in the folk music scene by going electric and rock. A Complete Unknown follows Dylan throughout the early part of his career all the way through to this defining moment in his long career. Director James Mangold has been down this road before having directed the great Walk The Line back in 2005. While not quite reaching the same heights as some of his previous works, Mangold is able to put together an engaging biopic filled with great performances and fantastic music numbers. James Mangold has always been a competent director, and this is another solid movie to add to his filmography. Working once again with Cinematographer Phedon Papamichael, who has shot several of Mangold's previous movies, bodes well for the movie as he is able to capture the look of 1960's New York. There is some grittiness brought to the look of the movie which is much appreciated. Little things stick out througho...