Skip to main content

The Last Showgirl (2024) | Review


2024 | R | 85 mins | Directed by Gia Coppola

The Last Showgirl follows Shelly (Pamela Anderson), a seasoned showgirl who loves nothing more than getting to perform in her Vegas show. She has been in the show for 30 years and has loved every minute of it. When Shelly and her fellow performers are informed that the show will be closing after 30 years, she must plan for her future and find a new avenue in life. Shelly struggles as this has been her career for so long and now she doesn't know how to move on after such an abrupt, life-changing event.

We've seen this story before, time and time again. An actor or actress who has faded out of the limelight for an extended period, comes back for a role like you've never seen from them before. While this trend does work for some, it also feels like a swing and a miss for others. Unfortunately for Pamela Anderson, this doesn't quite feel like her big comeback. Giving credit where it is due, Anderson is really trying here. There are scenes throughout where she gives it her all and is making the effort to make this work. With that being said, Anderson isn't a strong enough actress to pull off this material. Everyone else in the cast is acting circles around her, despite her best efforts.

Director Gia Coppola makes some interesting decisions behind the camera. Her direction is awkward at times and even though the runtime is only 85 minutes, it feels like there is a lot of dead time that could be utilized to flesh out more of the story or give some more time to some of the side characters. At times throughout, there looks like there is a blur filter on the camera. This effect makes scenes look unnecessarily bad and is more of a distraction than an interesting direction choice. 

As far as what does work, the rest of the cast all give solid performances. Jamie Lee Curtis, Kiernan Shipka and Brenda Song are all great as close friends of Shelly. Billie Lourd plays Shelly's daughter Hannah and there are some good scenes between the two of them. Though his screen time is somewhat limited, Dave Bautista shows once again that he is a more than capable actor. He brings a certain charm to his performance that is a welcome addition.

There is so much potential here and it mostly feels like a missed opportunity. Putting a stronger actress in the lead role that is more capable of handling this material would completely elevate this story. While it's not all bad, the execution is the biggest problem with The Last Showgirl. Some good performances help keep this afloat, but this is mostly a dull and bleak look at an uninteresting character.

Grade: C

Comments

Popular posts from this blog

The Gorge (2025) | Review

  2025 | PG-13 | 127 mins | Directed by Scott Derrickson The Gorge follows Levi (Miles Teller) and Drasa (Anya Taylor-Joy), two operatives that are hired to protect opposite sides of a mysterious gorge. Only being told that the gorge is considered to be "the opening to hell" both Levi and Drasa have no idea what they are in for. While protecting each side of the gorge, no contact is allowed between the two. Once the evil within starts to emerge, the two must come together to do whatever they can to survive and not let the evil escape. Director Scott Derrickson is mostly known for films in the horror and thriller genres. He has dabbled in the sci-fi area as well with films like Doctor Strange and the 2009 version of The Day The Earth Stood Still. In The Gorge, Derrickson and writer Zach Dean do a great job of blending multiple genres together. While there are elements of horror, thrillers and sci-fi present this also adds plenty of action sequences and, surprisingly, a romanti...

The Last Rodeo (2025) | Review

  2025 | PG | 118 mins | Directed by Jon Avnet Angel Studios is a relatively new studio that has set out to make more wholesome and family-oriented films. They clearly want to set themselves apart from the studios coming out of Hollywood and so far, they have had moderate success. The Last Rodeo is their latest feature film starring Neal McDonough, who seems to be becoming a mainstay for the studio. McDonough also co-writes the movie alongside Derek Presley and director Jon Avnet. Everyone involved clearly has the best intentions when making this movie, but, unfortunately, the execution is truly abysmal. Neal McDonough plays Joe Wainwright, a former rodeo star who had to retire after a several injuries. He spends his days working on his farm and trying to maintain a relationship with his daughter Sally (Sarah Jones). Joe learns that his grandson Cody has a brain tumor, the same type of tumor that his wife passed away from. Insurance will only cover so much of the surgery, but Joe a...

Final Destination: Bloodlines | Review

  2025 | R | 110 mins | Directed by Zach Lipovsky and Adam B. Stein It has been 14 years since the last Final Destination movie hit theaters. Over the course of the 2000s, and early 2010s, the Final Destination franchise has been one of the most consistent horror franchises around. Featuring a straightforward storyline that allows for the filmmakers to be creative when it comes to killing of its characters, the franchise has been extremely popular since the beginning. Except for The Final Destination, the fourth movie in the franchise, every movie in this series has plenty of fun and entertaining moments of people getting killed in ridiculous ways. Final Destination: Bloodlines manages to continue the fun despite some negatives that keep it from reaching its full potential. This time around, the movie follows Stefani, a college student who is having nightmares about a tragic accident from the 1960s. Stefani discovers that these nightmares are of a premonition that her estranged gra...