Skip to main content

The Rental: Review

 2020. R. 88 mins. Directed by Dave Franco

First time director Dave Franco has put together something more than your average thriller with The Rental. We follow two couples; Charlie (Dan Stevens) & Michelle (Alison Brie) and Josh (Jeremy Allen White) & Mina (Sheila Vand) as they rent a vacation home for the weekend. Both couples look to enjoy a nice relaxing weekend but they grow suspicious of the homeowner when not all is as it seems at the house. Along with that secrets from the couples start to come out and cause friction among everyone. They start to see each other in a new light as they try to discover the secrets of the house.

For a first time director Dave Franco, who is usually known more for his comedies, shows a lot of chops behind the camera. He's able to take a simple premise and flesh it out enough to make it quite entertaining. The film is marketed as a thriller, which it very much is, however it also works as a character drama as well. We spend around two thirds of the film watching these characters and their relationship issues grow more and more while something more sinister lurks in the shadows. Franco is able to balance both elements very well as it leads to an extremely frantic final act.

With the cast being rather limited it takes some good performances to elevate this to more than something average. Franco and co-writer Joe Swanberg (Drinking Buddies) invest a lot of time in these characters. They all are very flawed individuals but they all feel like real people. This isn't your typical thriller or horror film where you have a bunch of characters that are meaningless and you are just waiting for them to die. You genuinely care about these characters and want to see them make it through the situation at hand. All four main actors here give good performances to go along with the solid writing behind them. None of them particularly stand out over the others, although Alison Brie continues to shine as she does in everything.

With a tight script the film doesn't linger around longer than it needs. The film is able to get in and get out without a lot of fuller. It's nice to see a thriller nowadays take some chances and try some new things. Seeing what Franco has done with The Rental is very reminiscent of what Jordan Peele did with Get Out and Us. Not that The Rental is like those films in terms of what it puts on screen but Franco has done a very surprising job at jumping from comedies right into making what is easily one of the best thrillers of the year.

In the end The Rental succeeds on multiple levels. Its got a great cast, good performances all around and does a great job at building tension and making you wonder what is going to happen next. Dave Franco proves himself as a director here and shows he definitely has a career in making thrillers and horror films.

Rating: 7/10

Comments

Popular posts from this blog

The Gorge (2025) | Review

  2025 | PG-13 | 127 mins | Directed by Scott Derrickson The Gorge follows Levi (Miles Teller) and Drasa (Anya Taylor-Joy), two operatives that are hired to protect opposite sides of a mysterious gorge. Only being told that the gorge is considered to be "the opening to hell" both Levi and Drasa have no idea what they are in for. While protecting each side of the gorge, no contact is allowed between the two. Once the evil within starts to emerge, the two must come together to do whatever they can to survive and not let the evil escape. Director Scott Derrickson is mostly known for films in the horror and thriller genres. He has dabbled in the sci-fi area as well with films like Doctor Strange and the 2009 version of The Day The Earth Stood Still. In The Gorge, Derrickson and writer Zach Dean do a great job of blending multiple genres together. While there are elements of horror, thrillers and sci-fi present this also adds plenty of action sequences and, surprisingly, a romanti...

The Last Rodeo (2025) | Review

  2025 | PG | 118 mins | Directed by Jon Avnet Angel Studios is a relatively new studio that has set out to make more wholesome and family-oriented films. They clearly want to set themselves apart from the studios coming out of Hollywood and so far, they have had moderate success. The Last Rodeo is their latest feature film starring Neal McDonough, who seems to be becoming a mainstay for the studio. McDonough also co-writes the movie alongside Derek Presley and director Jon Avnet. Everyone involved clearly has the best intentions when making this movie, but, unfortunately, the execution is truly abysmal. Neal McDonough plays Joe Wainwright, a former rodeo star who had to retire after a several injuries. He spends his days working on his farm and trying to maintain a relationship with his daughter Sally (Sarah Jones). Joe learns that his grandson Cody has a brain tumor, the same type of tumor that his wife passed away from. Insurance will only cover so much of the surgery, but Joe a...

Final Destination: Bloodlines | Review

  2025 | R | 110 mins | Directed by Zach Lipovsky and Adam B. Stein It has been 14 years since the last Final Destination movie hit theaters. Over the course of the 2000s, and early 2010s, the Final Destination franchise has been one of the most consistent horror franchises around. Featuring a straightforward storyline that allows for the filmmakers to be creative when it comes to killing of its characters, the franchise has been extremely popular since the beginning. Except for The Final Destination, the fourth movie in the franchise, every movie in this series has plenty of fun and entertaining moments of people getting killed in ridiculous ways. Final Destination: Bloodlines manages to continue the fun despite some negatives that keep it from reaching its full potential. This time around, the movie follows Stefani, a college student who is having nightmares about a tragic accident from the 1960s. Stefani discovers that these nightmares are of a premonition that her estranged gra...